Tag: #replicafutures; authenticity

Can Blue Men Sing the Whites? (by Paul Graves-Brown)

My involvement in the topic of authenticity was largely provoked by an interest in the history of popular music (see e.g. Graves-Brown 2009). Indeed my first foray in this area, which ultimately evolved into my chapter in our OUP Handbook (Graves-Brown 2013), began as a paper which took its title from the Bonzo Dog Band

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